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Sadel, una Orquesta y una Voz

For Your GRAMMY® Consideration

Eleazar Mora.

Sadel, Una Orquesta y una Voz - Vol II

Best Global Music Album
Best Engineered Album, Non-Classical

Sadel, Una Orquesta y una Voz - Vol II

Discover the Soul of the Album

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Explore the Heart of Sadel

Sadel, una Orquesta y una Voz – Vol II” is a masterful celebration of Venezuelan folklore, brought to life through a symphonic lens. This album features 11 tracks, blending traditional Venezuelan songs with the grandeur of a full symphony orchestra. The compositions include intricate arrangements of iconic folk instruments like the Venezuelan Cuatro, Harp, and Maracas, performed by a range of distinguished musicians.

The album not only captures the rich heritage of Venezuelan music but also introduces an international touch with guest performers from Spain, the UK, the US, and Venezuela. Eleazar Mora, the album’s producer and vocalist, seamlessly merges his engineering expertise and passion for design into the creation of a limited-edition package, beautifully crafted with exclusive postcards.

The collaboration of over 150 professionals, including world-renowned engineers, producers, and instrumentalists, gives this album its unique sound. In addition to a full symphonic experience, notable guest artists such as percussionist Tony Succar, pianist Alfonso Pérez, acclaimed cuatro virtuosos Jorge Glem and Miguel Siso, with the experience of renowned engineers as Engineer Rafa Sardina. This album is not just a tribute to Venezuelan music but a groundbreaking production effort that transcends borders, making it a standout work in contemporary Latin music.

Sadel, una Orquesta y una Voz

Explore More of What Awaits

Ojos Color de los Pozos

Global musical performance.

A tender and emotive ballad, «Ojos Color de los Pozos» tells a poignant story through delicate melodies and intricate orchestration. Performed with a haunting blend of the Venezuelan harp, cuatro, and string section, the song evokes the nostalgia and longing often found in Venezuelan folklore. The arrangement showcases the string quartet, which softly accompanies the vocals as they weave a lyrical narrative filled with vivid imagery. The vocals rise and fall, expressing the deep emotional connection between the protagonist and the subject of the song. As the track unfolds, the harmonies grow more complex, culminating in an orchestral sweep that mirrors the intensity of the singer’s emotions. The song’s evocative lyrics and haunting melody make it a deeply personal reflection on love and beauty, giving «Ojos Color de los Pozos» a timeless and universal appeal.
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Currucha

Arrangements, instruments, and vocals.

This lively track is a vibrant celebration of Venezuelan folklore, blending traditional rhythms with the grandeur of symphonic orchestration. «Currucha» is performed by a large ensemble, including a rich mix of string instruments, percussion, and the iconic Venezuelan Cuatro. The song’s melody is deeply rooted in the joyful sounds of Venezuelan joropo, with its rapid, energetic pace carried by the rhythmic strumming of the cuatro and dynamic percussion. As the song progresses, layers of vocal harmonies and orchestral strings intertwine, creating a playful and spirited soundscape. The instrumental breaks highlight the Cuatro and Maracas, emblematic of Venezuela’s musical heritage, while the symphony amplifies the track’s intensity, building toward a lively crescendo. «Currucha» captures the essence of festivity and cultural pride, making it a stand-out track on the album.
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Credits

Producers:
Pedro Mauricio González, Tomas Cardona Rodríguez, Eleazar Mora, Hildemaro Álvarez, Emilio Esteban

Recording Engineers:
Tomas Cardona Rodríguez, Vladimir Quintero, Rodner Padilla, Tony Succar, Huascar Barradas, Miguel Siso, Diego Camacho, Javier Monteverde, Daniela Padrón, Renesito Avich, Hildemaro Álvarez, Eduardo Betancourt, Eleazar Mora, José Gregorio Hernández, Adolfo Herrera, Rafael Padilla, Maria Castillero

Mixing Engineers:
Rafa Sardina, Boris Milan, Vladimir Quintero, Keith Morrison, Tomas Cardona Rodríguez, Hildemaro Álvarez, Andres Mayo, Martin Muscatello

Mastering Engineers:
Andrés Mayo, German Landaeta, Martin Muscatello

Immersive (Dolby ATMOS) Mastering Engineers:
Andrés Mayo, Martin Muscatello, Eduardo Martinez

Recording Assistants:
Edgar Noguera, Gregorio Ramirez, Yolimar Cardozo

Editing Team:
Rafael Padilla, Daniela Villarroel, Markel Badallo

Programming and Editing:
Pedro Marin

Music Arrangements:
Pedro Mauricio González, Gregory Antonetti

Special Guests:
Rodner Padilla (Electric Bass), Tony Succar (Percussion), Jorge Glem (Venezuelan Cuatro), Alfonso Pérez (Piano), Edward Ramírez (Venezuelan Cuatro), Héctor Molina (Venezuelan Cuatro), Huascar Barradas (Flute), Miguel Siso (Venezuelan Cuatro), Diego Camacho (Percussion), Daniela Padrón (Violin), Renesito Avich (Tres Cubano and Maracas), Hildemaro Álvarez (Piano), Wizzmer (Venezuelan Cuatro), Elvis Martínez (Double Bass), José Gregorio Hernández (Percussion), Eduardo Betancourt (Harp and Maracas), Henry Linarez (Venezuelan Cuatro), Juan Ernesto Laya (Maracas), Adolfo Herrera (Drums), Edwin Arellano (Guitar), Santiago Cardona (Drums)

Art Directors:
Pedro Fajardo, Eleazar Mora

Photography:
Kike San Martin

Executive Producer:
Eleazar Mora

Record Label:
TRIMIMAR

Music Director and Orchestra Conductor:
Pedro Mauricio González

Photography:
Kike San Martin

Executive Producer:
Eleazar Mora

Record Label:
TRIMIMAR

Music Director and Orchestra Conductor:
Pedro Mauricio González

Orchestra Musicians:

Violin I:
Luis Morales Bance (Concertino), María Fernanda Montero (Concertino), Álvaro Alcarra, Betsaida Ramírez, Andrea Hernández, María Villasmil, Adeliana Rangel, Claudia González, Carlos Montero, Álex Álvarez, Hugo Castillo, Neimar Villamizar, Miguel Bravo, Ramón Poleo, Fabiana Escalona

Violin II:
Martha Zambrano, Wilmenny Lugo, Elda Pineda, Wilkinson Machado, Pedro Changir, Rosana Sánchez, Marlen Larez, Eusebio Pacheco, Ramsés Bolívar, Juan Silva, Kalibeth Chacín, Hugo Rodríguez, Jocelyn Mora

Viola:
Gastón García, Jesús Deveras, Javier Salas, Carmelo Méndez, Ernesto Carias, Marco Varela, Kenny Guzmán, Nereida Vázquez, Ricardo Rosas, Hermes Rebolledo

Cello:
Joice Honores, Evelina Ishakvaeba, Alfonso Berroteran, Rosoris Gordillo, Carlos Carreño, María Fernanda Hernández, Juan Manuel Trujillo, Kayrusan Quintero, Elizabeth Grosz, Kenny Aponte

Double Bass:
Richard Blanco, Carlos Rodríguez, Darling Uzcátegui, Lourdes Hidalgo

Flute:
Carlos Pabón, Miguel Pineda, Ariana Corrales

Oboe:
Ricardo Ribeiro, Erik Bolívar, Rosana Salgado, Carolina Prado

Clarinet:
Paola Fernández, Obed Rincón, Rafael Damián Álvarez

Bassoon:
Marcella Frías, Luisana Pérez, Aura Moreno, Carlos Castejón

Horn:
Carlos Montilla, José Luis Colmenares, José Castillo, Marcos Elliet, Alain Meléndez, Gabriela Linares

Trumpet:
Gamalier Espinoza, Eroy Troya, Ibrahim López, María Victoria Merlo

Trombone:
Michelle De Los Ríos, Camilo Jiménez, Luis García

Tuba:
Henry Urbano

Timpani:
Julio Cegarra

Venezuelan Cuatro:
Gabriel Morales

Drums and Percussion:
Santiago Cardona, Eiter González

Guitar and Mandolin:
Edwin Arellano

Piano:
Pedro Mauricio González, Juan José Bernal, Eleazar José Mora

Bass and Double Bass:
Pedro Mauricio González

Contact

Eleazar Mora

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